Showing posts with label visual art. Show all posts
Showing posts with label visual art. Show all posts

Friday, April 3, 2020

Art in the Time of Corona: Contemporary Folk Art by Kathy Halper


Click on the white arrow in the orange circle to listen to the interview from your browser, or visit soundcloud.com/lisa-degliantoni

Art in the Time of Corona: this interview celebrates a pivot artist Kathy Halper had to recently do to keep things moving forward despite the world shutting down.

Kathy and artist David Gista were scheduled to have an exhibit at 1100 Florence Gallery this April, a contemporary space in Evanston. David is stuck in Portugal and Kathy had a new body of work ready to exhibit.

So, 1100 Florence launched the Sidewalk Art Gallery Presenting Kathy Halper Landscape Paintings, where the public can gave lovingly at her new works, from a distance!


Chicago River Walk, 16” x 20”, Oil on Canvas, 2020, $700

My hometown is known for its architecture. Taking a boat ride down the river is one of the best ways to appreciate it. Inspired by Matthew Wong’s brilliant blue palettes and sense of pattern, I created the city as I see it.

Listen to our conversation about Kathy's Contemporary Folk Art you can see from the sidewalk this April! And no, there will be NO opening reception, we'll get arrested!

"Folk art with its voice rooted in simplicity and honesty feels like the little candle I need in my life right now. I am taking inspiration from folk art, fauvism, expressionism, and pop to create a new contemporary folk art. This work makes me very happy. I hope you feel the same." - Kathy Halper

1100 Florence Gallery is an artist-run contemporary art space dedicated to showcasing artists in Evanston and the world.

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Up to something interesting? And a member of Evanston Made? Reach out to thelisadshow[at]gmail.com with an interview request!

Evanston Made is designed to connect Evanston artists with the public through programming, events, exhibits and more. Join as an artist, arts producer, arts patron, etc. at evanstonmade.org/membership/

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The Lisa D Show podcast features interviews and conversations with Lisa Degliantoni and creatives living and working in Evanston, IL. Recordings typically happen in the 1100 Florence Gallery at 1100 Florence Ave in Evanston, IL.

Thursday, April 2, 2020

Art in the Time of Corona: Jamie Thome's Public Art Installation on Seward



Click on the white arrow in the orange circle to listen to the interview from your browser, or visit soundcloud.com/lisa-degliantoni

Art in the Time of Corona Interview Series 
w Evanston Made Members 

The "Art in the Time of Corona" interview series features interviews Evanston Made members about the projects that have come to life during the Covid-19 outbreak.

Listen to my conversation with Jamie Thome about her public art installation, outside her house on Seward Street. Below is Jamie's call for people to engage with the work and to create their own.



For the past few days, I've been making an art installation (of sorts) outside, on the tree in front of our south Evanston two flat. I'm using embroidered words that were part of an installation I did in 2016 at the People's Church in Chicago (all over the huge second floor sanctuary's overlook into the main sanctuary---lots of words, lots of embroidery thread). 

I'm adding a word a day, taking a picture, sharing on my FB page, and hoping that people walking by on their daily get-outside-for-some-sunshine-and-fresh-air-while-also-staying-6ft-away-from-others moments will enjoy seeing them.

I'm also inspired by Lisa's putting a window gallery up at 1100 Florence, and hope this is my way of doing that sort of thing, since my windows aren't easily seen from the sidewalk.

My CHALLENGE to you all, the most awesome artists in all of the world, is to create something outside of YOUR place as well, for the same reason. Post here, post on your page, add to it each day, or whatever you want. Share your work in a new way, with the outside world, and spread love and kindness and beauty for those walking by. 

AND!! If you're a fiber artist or are painting on rocks, or have something to add (that won't damage the tree), and would like to add to MY installation outside of our two flat in south Evanston, PM me and I'll send you the address. I'm happy to see how it could change with other collaborators' contributions. 

Let's make art happen, all over Evanston, apart, but TOGETHER.

 Jamie works primarily with books, collages, installations, and layering oil pastels on top of things. As a teaching artist, she visits public schools to integrate the arts into the classroom curriculum and works at the Evanston Public Library as a library assistant wherever she is needed.

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Up to something interesting? And a member of Evanston Made? Reach out to thelisadshow[at]gmail.com with an interview request!

Evanston Made is designed to connect Evanston artists with the public through programming, events, exhibits and more. Join as an artist, arts producer, arts patron, etc. at evanstonmade.org/membership/

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The Lisa D Show podcast features interviews and conversations with Lisa Degliantoni and creatives living and working in Evanston, IL. Recordings typically happen in the 1100 Florence Gallery at 1100 Florence Ave in Evanston, IL.

Tuesday, December 31, 2019

Gay Riseborough on Loving to Draw, Building an Art Career and more



Click on the white arrow in the orange circle to listen to the podcast from this browser or visit https://soundcloud.com/lisa-degliantoni

Evanston Artist, Public Art Advocate, Teacher and more, Gay Riseborough talks about loving drawing and making a life as an artist. Her upcoming exhibit at 1100 Florence Gallery, Go Home with a Nude features drawings & sketches done in the studio, priced to sell. Charcoal, conté crayon, graphite, watercolor, pastel on paper, ranging from (common) newsprint to Strathmore and watercolor paper. Join us for the Opening Party, 1100 Florence Ave, Jan. 4, 5-8p.



Artist Statement: For many years, Gay ran an Open Figure Studio for drop-in artists, both at 1121 and, then, 1123 Florence and, finally, at 1402 Greenleaf. Most of these works are studies from these sessions, both quick sketch and long pose. As a painter, primarily of figure and portrait, she felt it critical to keep up her observational, graphic skills. The sheer volume of displayable work here shows her passion for drawing.

Bio:
An illustrator by training (Washington University in St. Louis,) then a teacher for 36 years at the Evanston Art Center, the School of the Art Institute, and finally in her own studio, Gay (Riseborough) has done hundreds of portrait commissions, many of which hang in prestigious university collections. Represented by Portraits Chicago and Wood St. Gallery, where her non-portrait work was shown. Best known for her “Dark Times”, autobiographical narrative painting series. In 1986, she moved into a building on Florence which was already the origin of the arts neighborhood there. Has served on the Public Art Committee and, now, the Evanston Arts Council, where she is Chair of Public Art. Retired from visual art-making now, learning to play the cello.

Friday, November 8, 2019

Artist Rose Camastro-Pritchett lands back in Evanston

Click on the white arrow in the orange circle to listen to the podcast from this blog or visit https://soundcloud.com/lisa-degliantoni

Rose Camastro-Pritchett is a visual and performance-art artist whose work is informed by her experiences living in Saudi Arabia, Europe, North Wales and China. After many decades, she has returned to Evanston where she grew up. (I am thrilled she has returned to Evanston!)


It’s my great pleasure to interview Rose; we are working together to bring several projects of her projects to Evanston. Part of Terrain Biennial Evanston, Rose’s Cocoons are installed at my live/work space, 1100 Florence Gallery, thru Nov. 11. The cocoons in the installation are the result of performances where individuals were wrapped and sewn into yards of sheer cloth, forming a cocoon; at the end of each performance, they were cut out. Rose reworked these cocoons – the remains of the passage- into fiber sculptures that hold their stories. 



We also discuss Rose’s “Comfort Women” project, coming to 1100 Florence in October 2020. ("Comfort Women" refers to the more than 2,000 women kidnapped by the Japanese military and housed at “comfort stations” (brothels) all over China after the Nanking Massacre in 1940.) The exhibit, first show, at Menlo College, CA, includes art made using pulp painting, hand stitching, and silk thread on handmade paper. “I used stitching because that’s considered women’s work. What I really worked hard on was the imaging. I wanted to illustrate the horror of the comfort women story in a way that the audience could engage with rather than be shocked.” Click here to read more about this exhibit.


Learn more about Rose’s body of work www.rosecamastropritchett.com and visit 1100florence.com to see images of the Cocoons on display thru Nov. 17, make an appointment to see the installation evanstonmade[at]gmail.com. 

Terrain Biennial Evanston is a temporary public art exhibition running in Evanston for six weeks, October 01-November 15, 2019. Click here to see a map of installations in Evanston.

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The Lisa D Show podcast features interviews and conversations with creatives living and working in Evanston, IL. Recordings typically happen in the 1100 Florence Gallery. Learn more about host Lisa Degliantoni at thelisadshow.blogspot.com

Saturday, September 7, 2019

Artist Ellen Greene’s Midwestern! Punk! Mom! Retrospective



Artist Ellen Greene’s Midwestern! Punk! Mom! Retrospective! is on exhibit this September at 1100 Florence Gallery. The opening party is tonight, 6p-late, it will go late, there is a lot to see.

Ellen’s maximalist approach to her installation takes viewers through endless narratives and objects, with floor to ceiling art & objects. In this interview, we talk about giving permission to artists to exhibit work the way it works for the work, which this show has done in spades.  

Opening Reception: Saturday, September 7, 6-8p
Artist Talk, Sunday, September 15, 3-5p
Closing Party, September 19, 6-8p

1100 Florence Gallery is located at 1100 Florence Avenue in Evanston, IL 60202. Gallery hours are Sunday 12-5p, Wednesday 6-8p and Friday 6-8p. View art by appointment by emailing 1100florencegallery[at]gmail.com. Visit 1100florence.com for more information.

The Lisa D Show Podcast features 20-minute, unedited interviews with creatives living and working in Evanston. 



Friday, April 5, 2019

Kathy Halper Exhibit, What A Day It's Been

Click on the white arrow in the orange circle to listen to the interview from your browser, or visit https://soundcloud.com/lisa-degliantoni/kathy-halper

April 6, 5-8p, Kathy Halper’s solo exhibit "What a Day it's Been" oepns at 1100 Florence in Evanston. Halper will be showing work created over the past two years, as well as some embroidered pieces.

A series of six paintings explore the angst and absurdity of our political climate. Embracing Russia's recent influence in our lives, Halper used the culture's beautiful folk art for my inspiration in creating these narratives.

Other new works use discarded Amazon boxes as my primary material. Painting, gluing, printmaking and carving work together to create unique stories of my life.

The show runs thru April 22. There is an artist talk scheduled for Sunday, April 14 from 3-5 pm. Visit 1100florence.com

Artist Statement

What a Day It’s Been

Russia, If You're Listening

After the 2016 election I was frozen. For a year I could not find a direction to make art. When I finally gave myself permission to use my feelings of insanity and anxiety in my artmaking, these paintings poured out. Using Russian folk art as a visual guidepost and an inside joke, I set about capturing my angst. My goal is not to tell the viewer a story they already know, but to exorcise my personal discomfort, and hope that others may recognize their own feelings.

Amazon Tales

Discarded Amazon boxes are the starting point to tell personal narratives that are both ephemeral and tactile, ridiculous and poignant. Is it possible to make art from stories that are not born out of tragedy or remarkable fortune? As I seek out memories of a relatively uneventful life, I explore these questions with rule-free approach to materials and technique, a sense a absurdity and a growing stack of cardboard, looking for the magic in the everyday.

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“Life’s under no obligation to give us what we expect.”― Margaret Mitchell
In this series, I express my thoughts on aging by sitting with each image for months on end pondering my dreams and losses with each stitch. I watch them disappear from the top and fall to the ground. I watch them melt out of my life. And in doing so I gain some closure, some peace and the joy that comes from the process of creating the work.


See more works by Kathy Halper at kathyhalper.com






Thursday, August 30, 2018

Amy O. Woodbury Finds Connection and Community Through Painting


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For the past 18 years, artist Amy O. Woodbury has been hosting an Annual Front Yard Art Sale over a weekend. The idea started one morning in a yoga class, and she literally decided to “just do it” thanks to a nudge from a neighbor. This annual sale has become many things other than just a sale; the chance to connect with community, garner much-needed feedback, deadlines, income and more! Listeners in the Chicagoland area invited; 9/2 & 9/3, 9a-5p, 1931 Colfax Street. Rain date, 9/4.



In this conversation we cover where Amy discovered painting and how it became part of her everyday life, maintaining a daily schedule, regardless of mood or weather. 


The Lisa D Show is a podcast celebrating and elevating creatives, featuring 20-minute, unedited conversations that mimic the live-radio vibe, purposefully low tech. Contact host Lisa Degliantoni at thelisadshow[at]gmail.com

Thursday, June 21, 2018

David Gista Shows Painting Students that Madness is in the Method


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David Gista is an artist and teacher, living and working in Evanston. We met at his studio in the Noyes Cultural Arts Center to talk about the group show he is curating, opening this weekend at 1100 Florence Ave, “Madness in the Method”. The show features eight adults from Gista’s class“Going Abstract” at the Evanston Art Center to include Lee Oberlander, Stacey Foisy, John Manning, Veronica Sax, David Gista, Susan Keats, Karen Williams, Gale West and Harvey Choldin. Opening party Friday, June 22, 5-9p. Gallery Hours: 6/23 1-6p, 6/24 1-5p


In this interview we cover Gista’s teaching techniques to include art camp at his home in France, the practice of sharing and showing creative work and the group dynamic of creative work in group dynamics. 

See Gista’s body of work at davidgista.com

Biography

David Gista was born and raised in Paris, and now divides his time between France and the United States, having established his artistic career on both continents. Gista studied art at the École nationale supérieure des Beaux-Arts in Paris and so combines his classical fine arts training with his keen-eyed examination of modernity, creating a running commentary on contemporary life expressed in a variety of media.

Having graduated in 1990 with the equivalent of a Masters Degree, Gista won a prestigious award at the graduate show. By 1993, Gista was exhibiting his work in his first one-man show in Paris. Discovered in 1995 by the internationally recognized Darthea Speyer Gallery, who also represents Ed Paschke and Leon Golub, Gista’s professional career was established. In 1995 he also received one of the most important awards for emerging painters, the Prix de Vitry, the Prize of Vitry
(Named for Vitry-sur-seine, France). His career continued to flourish in France where he participated in a variety of solo and group shows.

During his initial visit to Chicago in 1996, Gista met Gary Marks, and in 1997 held his first one-man show in the United States at the Gary Marks Gallery, receiving generous press coverage in the Chicago media. Gista participated in a group exposition at Chicago’s Zolla-Lieberman Gallery, and exhibited his work in Hamburg, Germany, where he established strong connections, expanding his international representation.
Through the Darthea Speyer Gallery connection, Gista was invited by
Ed Pashke to serve as a guest speaker/lecturer at Northwestern University. Since then Gista has been chosen as one of twelve featured artists for Chicago Artist’s Month and has had solo exhibitions at The University Club of Chicago as well as The Union League Club of Chicago.

In 2001, Gista submitted a proposal to Accor, the parent company of the Hotel Sofitel, to create 274 large-sized digital paintings for their newest hotel built in downtown Chicago. The concept was accepted, and Gista worked for almost a year to complete the project in which he combined his drawing, painting, and photographic expertise with the use of digital technology. His work can be seen at the Hotel Sofitel Chicago Watertower.
In 2004, the Mornea Gallery of Evanston, Illinois held a one-man show of Gista’s work entitled “Presidents, etc.” Known for his “soul bags,” a form of painting on cloth that verges on sculpture, Gista displayed oversized bags featuring presidential candidates John Kerry and George Bush in recognition of the recent election. Other featured “soul bags” and paintings included former Presidents Clinton, Reagan, Washington, Jackson and Lincoln. Images were chosen for their powerful iconic resonance.

Gista followed “Presidents, etc.” with two one-man shows. The first, in October 2004, was held at The University of Illinois in Chicago and featured a variety of canvases. The second show, in November 2004, was held at the Galerie Friedland Rivault located in the Marais District of Paris, France. The show was entitled “Serie Noire,” and was inspired by film noir and the universe of fictional crime stories. In March of 2005, Gista was part of a group show called “Aparté”, which featured the work of several artists from Europe and Chicago, including Joan Miro and Zoran Music. The event was sponsored by Chicago’s ThinkART and Galerie Friedland Rivault.
“Aparté” was followed by a group show at Galerie Friedland Rivault entitled, “Silence on Rêve” in May of 2005. The work shown was inspired by the relationship between film and painting. In the summer of 2005, as part of Chicago Mayor Dailey’s effort to beautify the City of Chicago for the U.S. Conference of Mayors, Gista designed, with the assistance of area high school students, a 22-foot by 7-foot mural of Chicago’s service industry workforce. The mural was painted on the floor of Terminal 2 at Chicago O’Hare International Airport. The multi-colored mural was painted in acrylic and the installation will remain during the reconstruction of the terminal.

In December of 2005, Gista was part of “Blue Show” at The Thomas Masters Gallery in Chicago, which featured 29 artists from around the world. In February of 2006, Gista was featured as part of a group show called “Go” at Galerie Friedland Rivault. November of 2006 brought Gista’s first one man show in the United States, “Stranger in a Strange Land,” at the Thomas Masters Gallery. The exhibition received a very enthusiastic response, and the following year Thomas Masters hosted a new one-man show of Gista’s work, “Chance Meeting,” which enjoyed the same kind of success.

Gista’s life and work have been featured on WTTW-TV’s Art Beat, WGN-TV’s Chicago’s Very Own with Jane Boal, a WBEZ-FM interview by Victoria Lautman, as well as articles in The Chicago Sun-Times, The Chicago Reader, the Pioneer Press, and The Daily Northwestern. In France Gista was featured in Telerama by Laurent Boudier.

In 2006 Gista began to work with a blow torch. a dangerous process at the border of drawing and painting with a very strong conceptual resonance for the artist. “I started at a moment of my life where I was ‘burnt-out’, Gista says, “and I used that feeling literally in my work.” The resulting work was extremely well-received, and in June of 2008 was featured in “Flames and Flamenco,” a one-man show at the legendary Hyde Park Art Center in Chicago.

Gista maintains his global exposure and continues to be represented by the Thomas Masters Gallery and ThinkART in Chicago, the “Envie d’art” galleries in France, and the Cynthia Corbett Gallery in London. For the last two years his work has been shown in many international art fairs by several galleries. In the fall of 2008 Gista’s work was featured in two one-man shows at the Thomas Masters Gallery in Chicago and the College of Lake County in Grayslake, Illinois, as well as at The SLICK Art Fair in Paris, France.

Since 2009 Gista has regularly taken part in “Art Chicago” with the Thomas Masters Gallery and AAF/New York with the “Envie d’art” gallery of Paris. In December 2009 Gista opened his own art school and art gallery in Glencoe, Illinois, on Chicago’s North Shore. “The Art School & Gallery G” offered a variety of classes and workshops, and exhibited painting, photography, sculpture and prints by emerging artists and students.

In 2010 and 2011 Gista took part in several group shows, among them “Art at the Top” at the Empire State Building in New York City, an exhibition organized by the Cynthia Corbett Gallery, and “War and Peace” a show with a strong political accent for which he created a specific series of burnt drawings. The Illinois Library System invited Gista to have a one-man show at their Wheeling location in September, 2010, and Gista’s most recent one-man show was held at the Thomas Masters Gallery in April of 2011. Called “Stairways to Heaven,” the exhibit presented a series of new paintings dealing with the theme of stairs and people’s ascent and descent on them. This body of work represents a new turn in Gista’s technique with more textured and abstracted visuals, but always speaking to Gista’s favorite subjects: alienation and the human condition.

Since 2012 Gista organized painting workshops in the Loire Valley of France and has staged a mini retrospective of his work at his gallery in Glencoe. In October 2013 he exhibited his latest work at the Thomas Masters Gallery during a one-man show called “Mysterious islands.”

In March/April 2014 Galerie “Envie d’art” Paris organized, at the initiative of David Gista, a group-show titled “Biblioteques imaginaires”.
This exhibition featured works by artists interested in the themes of books and libraries, and featured some of Gista’s more recent pieces.

In 2015 Gista had several solo exhibitions, starting with the first edition of “Startup Art Fair ” in San Francisco, an event featuring artists with no gallery representation in the Bay Area and organized by art entrepreneurs, Steve Zavatero and Ray Beldner.

In June Gista had an exhibition at the Carla Milivinti Gallery in Blois, and at The “Museum of Mechanical Music Instruments” in Dollon, both located in the Loire Valley region of France.
Still in the Loire Valley, Gista created an exhibition with sculptor Francois Weil in the 12th Century Romanesque Saint-Etienne Church in Beaugency along the Loire River. This show will featured monumental pieces by the two artists.
Also in 2015, Gista co-founded the artist group “Babel.” The group is engaged in organizing exhibitions worldwide, allowing artists to encounter and network on a planetary scale. The inaugural show was held at the Vendome Castle (France) and the first event will took place at the Thomas Masters Gallery in Chicago. Future projects are planned in Quebec City, Oslo, Norway), Chile, Sweden etc.

In October 2015 the Thomas Masters Gallery (Chicago) presented a one man show of Gista’s library paintings: “ Rendez-vous yesterday”.

In August 2015 the first “Babel” exhibition took place in Chicago, at the Thomas Masters Gallery, exhibiting a panel of 10 artists from France and the US. The second exhibition of the group was in Chavignol, France at the “galerie Garnier-Delaporte”, in June 2016, with the work of nine artists.

In the fall of 2017, Gista will have two major one-man shows:
at the Vendome Museum in September and at the Thomas Masters Gallery in October.

He’ll also show his ceramics and drawings at the fine art jeweler boutique Laurent Potier in Vendome, France.

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The Lisa D Show is a podcast celebrating and elevating creatives, featuring 20-minute, unedited conversations that mimic the live-radio vibe, purposefully low tech. Contact host Lisa Degliantoni at thelisadshow[at]gmail.com

Thursday, May 31, 2018

Megan Magill on her Billions of Particles Exhibit at the Saw Room Gallery


Click on the white arrow in the orange circle to listen to the podcast from your browser.

This Saturday, 5-8p, at the Alley Gallery’s Saw Room (1712 Sherman Ave.) Megan Magill and Marc Sirinsky celebrate the opening of their exhibit “Billions of Particles.” The closing reception is Saturday July. 7, 5-8pm. Exhibition runs June 2 – July 14.

Megan Magill’s images use miniscule materials and underlying visual patterns to explore uncertainty. In this podcast we talk about Magill’s attraction to that uncertainty and how she welcomes it into her process.





About Megan:
Learn more at megan-magill.com

Megan Magill is an artist based in Chicago and Maine. She received her BA in Humanities at the University of Colorado, her Masters from Northwestern University and her MFA from Maine Media College. Her work has been exhibited in group and joint shows nationally and she was recently a semi-finalist in the Print Center's International Competition. My Business is Circumference was featured at the Detroit Center for Contemporary Photography and The Habit of Winning was featured in F-Stop Magazine’s portfolio issue with an interview by William Cox and in a print publication with LDOC . In the fall of 2017 her work will be published in American: Authors, Interpreters, and Composers a book series created by Patricio Binaghi of Paripe Books and designed by Matt Wiley of the New York Times Magazine.

From Saw Room Gallery:

Megan Magill manipulates found images and vintage snapshots with various printing techniques. Here are Megan’s thoughts on her process behind her series “We Are All Made Of Such Stars”:

“Traditional halftone printing aims to reproduce continuous tone imagery by varying the size and spacing of dots of the same color. This method produces the look of an image that is continuous by “optical illusion”. In this work I am trying to do the opposite. I am making the illusion visible in order to contemplate questions with uncertain answers.

Are we still ok if life is made up of all of these little parts, most of which are out of our control? Can the sum of these parts equal a truth or is this truth constantly breaking up into its parts? Do we in the end have to take this on faith?”

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The Lisa D Show is a podcast celebrating creatives, featuring 20-minute, unedited conversations that mimic the live-radio vibe, low tech on purpose. Reach out to host Lisa Degliantoni at thelisadshow[at]gmail.com

Friday, May 11, 2018

Heather Hancock's Contemporary Glass Mosaics at Evanston Art Center



The Lisa D Show podcast was recorded in Heather Hancock's Evanston art studio. Hancock uses glass to create contemporary mosaics to "explore contemporary ideas about mind, place and information."

This month, Heather presents Catching Light: the Art of Architecture at Evanston Art Center

All new work can be viewed at the Evanston Art Center as part of Catching Light: the Art of Architecture through May 26. This is the perfect light-filled space for my Reflect series, exploring urban form and beauty.

As part of the exhibition I'm bringing together a panel of design professionals to discuss how the built world functions as a frame for life.

Reflecting on Light, Architecture and Design
Wednesday, May 16, 6:30-8p, Evanston Art Center
From our individual dwellings to our shared city streets, we thrive in engaging environments. Join Heather Hancock for a conversation with Nate Kipnis, Principal, Kipnis Architecture, Jodi Mariano, Principal Urban Design, Teska Associates, Pam Daniels, Assistant Professor, NU Segal Design Program and Jeff Meeuwsen, Executive Director, Ragdale about how art and design help us live well in the built world.

Heather's statement: I use the ancient medium of glass as a conceptual tool to explore contemporary ideas about mind, place and information. The most compelling aspect of working with glass is the way the material loves light, sparkling and shimmering to engage a viewer. I think a lot about what draws our attention, and why—especially in this world where there are so many things competing for our attention. An element of surprise or unpredictability always makes us notice. Alongside the hard lines and repetitive forms of our cityscape, I notice the fluidity and constant transformations in our natural world. Those moments fascinate me and I try to re-create them in my work to offer a sustaining viewing experience. Making work with glass means that the experience is infinitely variable: changing with lighting, movement, even the viewer’s mood.

See Heather's work at heatherhancock.com

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 The Lisa D Show is a podcast celebrating creatives, featuring 20-minute,  unedited conversations that mimic the live-radio vibe, low tech on  purpose. Reach out to host Lisa Degliantoni at thelisadshow[at]gmail.com



Wednesday, November 15, 2017

Ellen Greene on Painting Beyond the Canvas




In this episode of The Lisa D Show podcast we talk with artist Ellen Greene about her recent transition into portrait work. Ellen is a trained painter, having attended the Kansas City Art Institute, and is best known for her intricate work leather gloves.

Last year, Ellen gifted a portrait of a dog, shared it on the Internet (as one does) and the commissions for pet portraiture and now human have been fast and steady ever since.

Full disclosure, I am the portrait on the right below.

 

We talk about the struggle of choice many creatives face when pivoting from one area of focus to another, more lucrative area. If you are still painting, but you are painting pet portraits, have you lost your way as an artist? What I love is Ellen’s perspective on this shift in her work and her openness to the potential new mastery portrait work might bring her painting career.

See more of Ellen’s portrait work at portraitsbyellengreene.com and follow her on Instagram at portraits_by_ellengreene

To see her full body of work and wearable art visit artbyellengreene.com








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The Lisa D Show is a podcast celebrating creatives, featuring 20-minute, unedited conversations that mimic the live-radio vibe, very low tech on purpose. Reach out to host Lisa Degliantoni at thelisadshow[at]gmail.com

Thursday, November 2, 2017

Photographer Vanessa Filley on The Lisa D Show


Photographer Vanessa Filley's art tells the stories of today, the past and a future imagined. Storytelling through her photography, Filley builds engaging, inviting and sometimes eerie images with visually compelling collaborators … her children and her friend's children.


In this interview we walk through several of the pieces from her upcoming show “A Nursery Rhyme For You” opening Nov. 4, 5-8 p.m., at Perspective Gallery in Evanston, up thru Nov. 26. If you don’t make it, check out her work online at vanessafilley.squarespace.com


This interview is candid, inviting the listener into Filley’s artistic process and beautiful mind. I am grateful to know artists like this who make Evanston a more interesting and beautiful place to live.
More Info: A Nursery Rhyme For You


As a child some weekends we visited my grandparents in a farmhouse of decaying grandeur in New Jersey and other weekends we’d stay home and traipse through the halls of great New York City museums.  I always imagined how these places could be different, how they were a portal to another time, an imagined life.  In the attic of my grandparents home there were dust covered steamer trunks filled with ballgowns while the American Wing at the Metropolitan Museum of Art offered a glimpse into the interiors of early American homes. I dreamt of wearing these ballgowns and living in a different era, but despite my dreamy nature I never got much beyond dress-up in shoddy 1970’s halloween costumes.  


As the mother of two girls with fanciful imaginations in an era when unfettered childhood fantasy is interrupted or negated by an abundant access to technology I have sought to preserve and create for my daughters a little bit of the magic I longed to have brought into my own childhood while avoiding much of the contemporary child’s play market and trying to impart an honest sense of the world we live in today.


I find great inspiration in anything from fairytales to the primal relationships between humans and nature to current events. Every fairytale has a dark side, the death of a parent, the loss of a power and in an era of social and political upheaval and environmental degradation, the dreams and fantasy of a child are effected and shaped by the external forces buzzing in the world around them. In A Nursery Rhyme for You My Dear I am attempting to both create a child-like fantasy world and to allow the harshness of reality to seep in.  When I make an image I am very interested in exploring it’s underbelly.  It may look pretty on the outside, but perhaps there is more to it.  I want to both dwell on and delete some of the darkness in any given scenario, to try on a story for size, to understand what it might be like to exist in that moment and how to learn from it, but also leave it behind, as if in a dream.

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The Lisa D Show" is a podcast celebrating creatives, featuring 20-minute, unedited conversations that mimic the live-radio vibe, very low tech on purpose. Reach out to host Lisa Degliantoni at thelisadshow[at]gmail.com